Let's face it a lot of the time there's another comping instrument with us on stage.
So, how can we comp without interfere the soloist or the other harmonic instrument?
with textural comping!

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Here's a Wynton Kelly lick off of Hank Mobely's tune "Dig Dis." I explain how it works and how you can practice it, but the main idea is that Wynton Kelly is able to mix blues with upper structure triads and it still just sounds like blues!

Due to the Corona problem, I can't get any thin-walled aluminum tube at the moment. Therefore, I have pimped my old and very much used PVC resonance tubes with a new type of flap.

The new flaps are printed from flexible plastic with a hole "too small" by about 0.1 to 0.2 mm. Therefore, they adhere very well to the shaft after sliding on, but can be aligned and positioned as desired.
I also managed to make this solution foldable. Due to the magnetic coupling, the shafts reconnect by themselves after splitting.

The last Friedman etude!

Ok the next class on Chi Chi:
June 27, 7pm, 2021

Oliver Mayman will host it.

Join Zoom Meeting
https://temple.zoom.us/j/9846618495
Meeting ID: 984 661 8495

You should be able to add books to this list. What books do you think every musician should read???

https://www.amazon.com/hz/wishlist/dl/invite/bKk3g72?ref_=wl_share