Beginner's Course - Intro to Comping Pt. 3 by Behn Gillece -V
Check out the attached PDF!
Check out the attached PDF!
In Part 7, we explore the half-whole diminished scale as a tool for soloing over dominant chords in the blues. This symmetrical scale creates tension and color that can really open up your sound—especially when used sparingly and with intention.
Check out the attached PDF!
🎵 Play A Great Standard In One Month – Stella – Week 3
Over the past two weeks, we've been developing our approach to "Stella By Starlight" through voicings and chord melody.
Week 1 established our harmonic foundation, while Week 2 explored how to combine those voicings with the melody to create a complete arrangement.
This week, we're shifting our attention to improvisation.
👉 Finding clear melodic lines.
I work for a non profit called Global Academy For Inspirational Arts (GAIA). We work with music students in Costa Rica. I had to make a tutorial on the modes and thought maybe some of you would find it useful. Everything you need is attached. I would love to see some of you work on this and give me your thoughts. (Including misspelled words, I still have to put it in Spanish!)
I remember learning the modes in classical theory class. And online later when I learned modes from the same note, could I really here the difference between them.
This is an etude for Donna Lee that is all 8th notes. Of course we don't necessarily want to play a solo like this, but it's a good study in weaving around the changes.
this is my stuff. Those of you who have been on the site for a long time, have heard some of this before.
It has to sound like the song when you solo. That means you know the changes or have AMAZING ears.
This is some old great stuff!
Hey everyone,
This is part 2 of my lesson on the four basic dampening techniques.