Most Popular Lessons

Here is an etude I did for a student based on Maiden Voyage. I always laugh when I call something like this an etude, but I guess it sort of is. 

I just get on the Malletkat with some ideas I want to pass along to the student and I just play. Then I quantize for notation purposes and then I dump it into Musescore or Sibelius do a final clean up and print a pdf!

My student was playing this tune and was playing minor thirds over the suspended chord. A suspended 7th chord goes with a mixolydian scale. 

Hello everyone,

This lesson is the first of a few on dampening for beginners, although more advanced players could certainly benefit as well.

Check out the attached PDF!

Check out the attached PDF!

Check out the attached PDF!

Check out the attached PDF!

Keep in mind, since making these videos, I now play the Dmaj 7 in the 7th bar. I got schooled by David Friedman for doing it the Bill Evans way and now I love the Dmaj7 and know the history of the tune! 

Talking about playing over parts of the tune.

Blues Comping Tip by Behn Gillece

I'm working on Monk's Pannonica, which was written for Pannonica de Koenigswarter. Monk spent the last 10 years in the upstairs of her Apartment in New York. 

This is a great tune. I've been working on it for a little bit now. Ballads are great because you can use the pedal more and your sound can be 'wetter'.

Here are two versions of the tune. Of course a Monk version and then a Chick Corea version. He does it a little quicker.

Also is attached is an etude and an mp3 of the etude. I did the etude on my malletkat. I think I have a good vibe sound!

🚨 New Tune Deep Dive Series! 🚨
Pt. 1: “Wave” – Establishing Form & Groove

We’re kicking off a brand-new Tune Deep Dive with Antônio Carlos Jobim’s Wave—a bossa nova classic that’s as groovy as it is deceptively tricky. This tune has a 44-bar form (A – A – B – A, with 12-bar A sections and an 8-bar bridge), so memorizing the structure is step one.