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Beginner's Series - Soloing Through The Changes Pt. 6 by Behn Gillece

🚨 Soloing Through the Changes Pt. 6 – Bebop Scale Variants on the Blues

In Part 6, we continue exploring scale-based soloing over the blues in F, this time using bebop dominant scale variants enriched with added chromatic passing tones. This lesson focuses on creating longer, more fluid lines that still clearly outline the changes—using the dominant bebop scale as a flexible framework, not a strict formula.

Play a Great Blues in 3 Months - Week 14 by Behn Gillece

🚨 Play a Great Blues in 3 Months – Week 14

We’ve covered a lot over the course of this series:

• Guide tones
• Blues comping
• Chromaticism
• Whole tone and diminished language
• Chord melody textures
• Harmonic movement underneath simple melodies

For our final lesson, we bring many of those ideas together using:

👉 “The Intimacy of the Blues”

This arrangement continues the idea of using a relatively simple melody as a framework for richer harmonic movement underneath.

This week introduces:

Touch Of Your Lips Etude

Here's another one of my etudes. A great tune 'The Touch Of Your Lips'.

It's the head and then one chorus of some four mallet stuff. 

 

Your Job is to put the changes in, study the music and write in all the alterations. I.E. if it's Bb7 look at the music. Am I playing a b9 well know it's Bb7b9

You should be able to play it by yourself and make it swing.

Play a Great Blues in 3 Months - Week 12 by Behn Gillece

🚨 Play a Great Blues in 3 Months – Week 12

Over the past few weeks, we’ve been working with blues melodies and combining them with chord voicings—moving toward a more complete, chord melody approach.

This week, we introduce a new tune:

👉 “Sonnymoon for Two”

This melody has a slightly different character than Bag’s Groove—it’s more rhythmically active and sits differently against the harmony.

In this version, you’ll notice:

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