Most Popular Lessons

Check out the attached PDF!

One of my students has been working on "Footprints" and wanted to explore playing in 3/4 time. To help, I put together a simple etude focused on adapting familiar patterns to fit 3/4. What I like about this approach is that it lets you apply a straightforward line throughout the tune, and it flows well in 3/4. There are a few places where I adjusted the line slightly to better match the chords. Also, keep in mind that these changes are a bit simpler than the original ones, but they’re still widely used by many players—dating back to an old real book version!

Check out the attached PDF!

Check out the attached PDF!

Check out the attached PDF!

Keep in mind, since making these videos, I now play the Dmaj 7 in the 7th bar. I got schooled by David Friedman for doing it the Bill Evans way and now I love the Dmaj7 and know the history of the tune! 

Talking about playing over parts of the tune.

Blues Comping Tip by Behn Gillece

I'm working on Monk's Pannonica, which was written for Pannonica de Koenigswarter. Monk spent the last 10 years in the upstairs of her Apartment in New York. 

This is a great tune. I've been working on it for a little bit now. Ballads are great because you can use the pedal more and your sound can be 'wetter'.

Here are two versions of the tune. Of course a Monk version and then a Chick Corea version. He does it a little quicker.

Also is attached is an etude and an mp3 of the etude. I did the etude on my malletkat. I think I have a good vibe sound!

🚨 New Tune Deep Dive Series! 🚨
Pt. 1: “Wave” – Establishing Form & Groove

We’re kicking off a brand-new Tune Deep Dive with Antônio Carlos Jobim’s Wave—a bossa nova classic that’s as groovy as it is deceptively tricky. This tune has a 44-bar form (A – A – B – A, with 12-bar A sections and an 8-bar bridge), so memorizing the structure is step one.

Check out the attached PDF!