Here's Pt. 2 of articulation, ideas on adding accents inside lines.
Some tips on creating voicings.
This is classic Lionel Hampton. It has all his tricks and signature moves. That is Ray Brown on bass and Buddy Rich on drums, so Lionel was right at home.
It's from the mid 1950's so it shows the influence that some of the more modern players like Milt Jackson were already starting to have on his playing. Mostly, his subdivisions are close to a triplet feel, but he does vary it and sometimes play straight eighths and other times, a dotted eighth/sixteenth feel.
Here's some additional ideas on line exercises.
Sorry to re-surface this lesson but for some reason it was listed as "new" in my posts and when I checked on it the accompanying PDF was missing. Just thought I would fix it.