Hi everyone,
For the next few weeks, we will be studying Summertime and Wave. These are great tunes for the TOTM, many things to talk about with both. I will be posting the first introductory lesson on Summertime shortly.
Behn
Eventually got round to doing this. Funny how the situation arose. I have started a new job as a tutor with a group of other musician in a project called Music Generation. U2 have given 5 million to get the younger generation back into to music through school projects. So this 8 piece band get together and we rehearse all different genres of music for educational purposes and one of the tunes called was Donna Lee. So as I am playing vibes drums and congas etc I had to get to work on it.
Ever since the Delaware workshop, I have been working on Horace Silver's "Song For My Father" as my personal TOTM. I promised Tony I'd post something by the end of this weekend, so here's what I have so far. I played the stock key (F minor) with Aebersold, and then Eb- and Bb- are just on their own. Still have a lot of work to do, so any pointers are appreciated. Thanks!
I can't get over how great this year's Delaware Vibes Workshop was. Tony and Harvey set up a wonderful program, complete with great lessons, guest clinicians, and performances. This was my third summer at the workshop, and although I missed having David Friedman this year, it was wonderful having Dave Samuels (one of my favorite artists when I was in school), Behn Gillece and Christos Rafalides share their expertise, techniques. and stories. I enjoyed all of the lessons, and I feel that my playing has once again taken off.
Florian Poser's BRAZILIAN EXPERIENCE
playing "Air Populaire"
based on the famous "Air on a sixstring" by J. S. Bach
recorded live at the Tedesco Recording Studio, Paramus, New Jersey, USA
2nd of March, 2013
Gustavo Bergalli - trumpet (unvisible)
Klaus Mueller - piano
Itaiguara - bass & ac. guitar
Portinho - drums
Florian Poser - vibes
Sound & Video: Tom Tedesco
We got to see the new Malletech Omega prototype at the Delaware Workshop, here's a video about the Omega...Ton Risco, Mike Pope, Joe Locke & Liegh Stevens discuss the Omega and the new pickup system
So I heard it said somewhere that great comping should include a variety of both opened and closed voicings. I think I'm at the point now where I can play and voice lead open and close voicings in all their permutations and variations (i.e. w/extensions) pretty well. However, I sometimes have trouble combining them in a coherent and musical way. Anybody have any advice re: this? I haven't seen it discussed anywhere on the site. I know the obvious answer: use your ear. I suppose then I'm looking for tips that will help me develop my ears to hear the combinations better.
I'm going to try another Livestream of my gig tonight with the OGD Vibe Quartet from 8:00 to about 10:00 PM EDT. Go to http://new.livestream.com/accounts/1758489/events/2347239.
We play a mix of guitarist Mike Caruso's originals and arrangements of classic rock tunes, plus some jazz standards. If you're in the area, we're playing at the Java Room in Chelmsford, MA (http://thejavaroom.com/).
Hi all,
Hope everyone had a good summer. I was on sabbatical from the University of Cincinnati last semester and finished a vibraphone method book. It focuses on building technique and creating ideas for improvisation. If anyone is interested there is a link below.
Best,
Rusty