This is an arrangement of the head of "Round Midnight" I've been playing for a few years. I threw it on the computer today after the live concert to try and win the Monk Play Along book. Hope you like it! (This is my first upload so I hope it works.)

This is really well done!

Hey guys,
We are offering the Friedman Dampening and Pedaling book for half off through June 16 2010 at the store!

Use coupon code DAMPENINGHALF

For Subscribers only!

http://store.studymusiconline.com/dampening-and-pedaling-vibraphone-dav…

Tips on making your licks more fluid using cells.

I gig a couple nights a week with a quartet loosely modeled after the great MJQ. However, the piano play of the group plays nothing like the great John Lewis. His playing is erratic, he is all over the harmony, melody, and the bass. During my solos he often plays "counter melodies" that disrupt my thinking and my lines. At times I'll pause in order to leave some space and he fills it. If I start of slow, with whole or half notes, he fills up the space with some kind of scalar run. It seems odd to me and I'm thinking that this isn't what the music is supposed to sound like.

Hey guys,

Vic Firth put up another clip of mine on their Podcast Page. This is a trio version of my original composition Pure Spirit. Matt Wilson is on drums and David Clark is on bass. Here's the link: http://www.vicfirth.com/podcasts/concert.php

There is also a nice clip of marimbist Pius Cheung also on the same podcast page.

The lead sheet of Pure Spirit can be downloaded from my website.

Best,

Ed

I thought I posted this already. But check out Mike Blake!

Words being wholly inadequate
Music is the language of the spirit

Between the notes
The greatest impact
Reflection, time, color

Silence is played
Stewards of passion
The spirit alive and well

Words being wholly inadequate
Music is the language of the spirit