Day 4: You will notice the first measure has been changed slightly. Rather than have it go up the Gm dorian as it has been, this measure has a melodic minor type sound to it. Even though it's a Gm7 chord, the F# is really just a passing…
In Day 2, you will start to notice the use of a few chromatic notes and approach tones. The line is similar and still pretty diatonic. Take notice of the surround tones in M4. You will see lines like this all the time in bebop where there'…
In this week's set of lessons, we're examining some different rhythmic comping exercises. Most of these are based around a simple dotted quarter and eighth note rhythm. In this first day, work on exaggerating the shortness of the eighth…
Hello everyone!
It's been awhile since I've posted anything on the site, but I'm finding time to be a vibraphonist at least a little while school consumes my life...
Last weekend I attended the first Vibes Bootcamp at Tony's house in…
Hello Everyone,
"See you next year," may be kind of trite as the new year is coming up close, but the next time you'll HEAR me will be next year. Good Vibes airs on New Year's Day at 8p and replay is the following Wednesday at 4p. Most of…
Day 5; In this final lesson, we're sticking with closed voicings. The top note changes with each chord. I particularly like the 2nd F7 voicing which is A,D,Eb,F from bottom up. It's very crunchy and fun to groove on.
In day 4, we're reverting back to the original rhythm. The difference here is closed voicings. Notice the nice crunch in the closed voicings. As with the other lessons, keep the articulation nice and short on the eighth note.
Day 2: The same rhythm is being used here, but the top note is being moved around. While moving the top around changes the harmony, it also gives the illusion of something different happening rhythmically.
This week's objective is voicings for minor ii-Vs. In Day 1, we're dealing with closed voicings. Most of these contain the basic chord tones. Practice them and memorize them before moving to the next lesson.