Delaware Workshop 2011 - Why Play the Same Rhythm With Both Hands
Here David talks about solo playing and makes the point about syncopation. Why play the same rhythm with both hands? Play another rhythm with the left hand.
Here David talks about solo playing and makes the point about syncopation. Why play the same rhythm with both hands? Play another rhythm with the left hand.
A few years ago, I did a lesson where I talked about minor surround tones. I feel like surround tones are often discussed over dominant and minor, but not major as often. So I decided to talk a little about how to surround chord tones on major chords, enjoy!
Behn
Right across the way from us is a GREAT xylo workshop with the great Bob Becker teaching 10 percussionists from all over the world about the world of ragtime.
Here's a piece that features a great Philly percussionist Harvey Price. He's also the head of percussion at Univ of Delaware and the reason why vibesworkshop does it's summer workshop in Delaware. Harvey Rocks and is a great friend of mine and is a great percussionist and xylo man!
Performing Red Norvo's Dance of the Octopus on Marimba.
Mario Diciutis Jams on the MalletKat with David Friedman on vibes.
An excerpt from David Friedman's Workshop. Here he's talking about common tones.
This etude has a similarity to Etude No. 7, but focuses more on mallet dampening with ringing chords underneath. PDF is attached.
Behn
Hey everyone, To reaffirm my belief in the value of composing alternate melodies, I'd like to offer up a Free CD of mine to the first two people to post an alternate melody to any of the Tunes of the Month that we have gone over on the site! Post a lead sheet and an audio recording of you playing the melody if possible!