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Anything But That Method -V

Man in general tries to break complex concepts into smaller bite size pieces.
Because of time the results and impact of the proposed breakdown is often not apparent.
I think how we have broken down the chromatic scale causes the learning experience to be longer than needed.

The result of the current system is an overly complex language which impedes reaching the goal(to be able to improvise) more than it should.(I'm not saying it doesn't work.)

I have a challenge for you if you’re game for it.

It’s developing the “Anything But That” method.

Expectations When Conducting Rehearsals

I'd love to hear what other people do when they rehearse their bands. I'd especially like to hear about rehearsals with Frank Zappa (if anyone at VW has any experience with that). I heard he rehearsed a lot. I'd also like to hear about rehearsals with "local" bands and rehearsals that David Friedman, Gary Burton and Tony conduct when traveling, and anyone who is doing "professional" rehearsals who is paying their members for their time.

what i'm working on

ok, so i just read where Tony says "i still don't understand why more players are not blogging here, posting examples of things they're working on. i'm clueless." so...I'm not shy, here's what i'm working on.
about a month ago, i thought i would transcribe the Tom Harrel solo on "i remember you", but first i needed to learn it. I learned it in one key, and then discovered it is in another on the video (a flat).