Friedman 9
Friedman 9
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Friedman 9
David Friedman Dampening Etude 8
Check out the attached PDF!
Short etude, but should be a little bit of a challenge.
In the final blues dampening etude, we explore the minor blues form. Please note that there are some common substitutions in this one that are used often in minor blues.
This is another version of the etude that goes through the same chord changes as Blues for Alice. There's a few different approach notes in this version. Remember that when playing this etude with the additional ii-V-I's, figure out all the other tunes you can use these lines on and try it in different keys!
This etude goes through the same chord changes as Blues for Alice. One thing to keep in mind is that when playing this etude with the additional ii-V-I's, figure out all the other tunes you can use these lines on. Also, try it in different keys!
Here's another dampening etude. We change keys here, Bb, another very common blues key. Some of these lines actually work great not just as bass lines, but solo lines! You can hear players like Hank Mobley occasionally playing these bass type lines.
In this etude, the quarter note remains consistent like an actual walking bass line. The challenge in this exercise is to keep the pedal down and the dampening smooth, making sure no notes ring together. Work on getting a really nice legato sound!
Check out the attached PDF!