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Just got an email from Gary Burton, said 'You got to post this!'. So i watched it and he's right. A great Teddy Charles vid!

So what happened to him, when the xylo fell from the top? Anybody know? I should read up on him.

And what a big guy, huh? You would think he wouldn't be that agile!

Comments

pax Thu, 10/03/2013 - 13:17

I couldn't get the video to play, Tony? Found this on YouTube. Unbelievable
http://youtu.be/BGMwZhGu6_g
http://youtu.be/abGfgWGflVs

from Wiki
Teddy Brown (1900–1946) was an American entertainer who spent the latter part of his life performing in Britain. He was born Abraham Himmelbrand in 1900, and first played in the New York Philharmonic Orchestra, but moved to the field of popular music in the 1920s.
He was noted for his rotund appearance, approaching 400 pounds in weight, and was often compared to (or considered the British answer to) another rotund band leader of the same era, Paul Whiteman.
Brown played several instruments, the saxophone, the drums, percussion, the xylophone, and he also whistled melodies while he played any of the percussion instruments.
He arrived in London in 1926. The next year he formed his own orchestra, playing at the Café de Paris. He went on to play in other nightclubs both in London and Paris including the Kit Kat Club. The custom-made Besson xylophone he played had a six-octave range, two more than the usual xylophone. In 1927, the UK division of Lee de Forest's Phonofilm made a short film of Brown playing the xylophone.
As Brown's considerable percussive skills and fame in the UK spread, he appeared in an early sound feature-length movie in 1930, co-directed by a young Alfred Hitchcock, titled Elstree Calling, a musical variety review that answered Paul Whiteman's music review feature film of the same year, King of Jazz, with both films featuring early color sequences. Elstree was the movie and radio studio complex where many famous films and radio shows were produced in the early days of British media entertainment. A variety of impressive older musical and comedic vaudeville acts and new talent were featured each of the two films.
Brown's appearances in Elstree Calling won favorable audiences reviews at the time. His third appearance in the film was the most impressive, as he plays the xylophone with amazingly fast precision, using only one hand at a time, and sometimes behind his back.
Brown's rapid-fire style was an early influence on percussionist, band-leader Spike Jones, who would launch his own high-energy career a decade later.
From 1931 on Brown played on the radio, in films and the variety stage playing the xylophone. His appearance was dapper but quite stout but he was nimble and often danced around the xylophone while playing. He became very popular with audiences and appeared in the Royal Variety Performance in 1931. He was associated with The Crazy Gang, and was often the subject of their jokes. He died in 1946.

pax Fri, 10/04/2013 - 09:24

In reply to by David Friedman

That was the Roaring'20's? and sadly all comedy is at somebody's expense. Funny how the most intellegent animal on the planet can't learn to get along with each other? I'll venture that his comedy may be lacking but his xylophone technique is pretty fair. Me, I'd get upset about the fat jokes...

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