Hey hey,

On Monday, March 8th at 7 PM EST there will be a pop-up class where everyone will play for each other and give feedback. We can also discuss any topics, no teachers! Post yourself playing the tune so you can join if you haven't already. Not too late!

Link to join: https://bit.ly/vibintime

Meeting ID: 813 9049 5531
Passcode: 349960

I'm slowly getting into the classical vibraphone rep, and I started with this one.

This is my transcription of Sonny Stitt's recording of the great standard. He plays some beautiful lines on melody and solo I get slightly ahead at times and thats a learning curve in itself, Ive learned so much from this project. Thanks in advance for listening.

Hi all,

During the pandemic, I had a nice opportunity to do a considerable amount of recording with the Posi-Tone "bubble band" with Art Hirahara on piano, Boris Kozlov on bass, and Rudy Royston on drums . I'm very proud of what we accomplished during these uncertain times. My new album comes out March 19th and is available on my website now, behngillece.com

https://www.behngillece.com/purchasemusic

What key is it in?

Is it a minor ii V or major?

So if you if you know what key this is in, then you can figure out the ii V chords as well right? (Of course you can).

Play it in 12 keys.

Play a solo over the tune I'll Remember April. Fit this lick into the tune. Do you see where? Everywhere there is a minor ii V. i.e. Amin7b5 D7.

Honor system. When you've done all this work and done it well, sign off on the assignment here. Just make a comment and say Done or Completed or whatever you want.

I am selling my 'Musser M48 Traveler' vibraphone with bars from the late 70's. If you are interested please email me at christosraf@mac.com.

Here’s a tune based on I’ll Remember April. Different intro from the Clifford Brown Max Roach .

If you haven't, please check out some of my previous videos about the turnaround cause this is going to be an advance lesson:

Triton Substitutions:

| BbMaj7 | Db7(triton of G7)| Cm7 - B7 (triton of F7)|
I bIII7 IIm7 bII7

| BbMaj7 | Gm7 (G7) | F#7 (triton of Cm7) - B7|
I VIm7(VI7) bVI7 V7

| BbMaj7 | Gm7 | Cm7 | F#m7 (IIm7 of B7) - B7 (triton sub for F7)|:
I VIm IIm7 bVIm7 bII7

Here are some common sub for the turnaround:

|BbMaj7 | Gm7 | Cm7 | F7 |
IMaj7 VIm7 IIm7 V7

sub Gm with G7 (Secondary dominant of Cm7)
| Bbmaj7 | G7 | Cm7 | F7|
I Vi7 IIm7 V7

2.Alter the chords
| BbMaj7 | G7alt | Cm7 | F7alt|
IMaj7 VIalt IIm7 V7alt

3.sub BbMaj7 to Dm7 (IIIm7)
| Dm7| G7 | Dm7 | G7 |
IIIm7 VI7 IIm7 V7

4.Using a chain of dominant 7th as the Bridge of the rhythm changes:
| D7 | G7 | C7 | F7 |
III7 VI7 II7 V7