Hey everyone!

I've been transcribing some Acadian music (from Canada) and hope to learn more during this quarantine time.
Here is one I learned last month. Thanks Tony for the cool vibes ;)

Acadian music and Québécois music (two kinds of traditional music from Canada) have a lot of Irish influence due to a massive Irish migration (1.2 million people!) in the 1800s. This tune is by a band called Vishtèn, from Prince Edward Isle.

Churches can be great places to play vibes, especially solo. Hauke plays great and I love the reverb!

These are on Facebook. We have a vibesworkshop.com Facebook page. So go on Facebook and search for vibesworkshop.com in the FACEBOOK search bar.

Here is a poster for todays (March 29th, 2020) events.

These are on Facebook. We have a vibesworkshop.com Facebook page. So go on Facebook and search for vibesworkshop.com in the FACEBOOK search bar.

Here is a poster for todays (March 28th, 2020) events.

"Blues with a Shuffle Feel" - Some experimentation tonight with a left hand "boogie woogie" pattern on a blues.

Hi everyone! This is my solo version of A Time For Love by Johnny Mandel. I love this tune and I was going to perform this on my senior recital tonight, but due to the coronavirus it has been canceled. However, I thought I would share this piece with you all here instead. Enjoy and stay safe!!

Hey Vibes Workshop,
My name is Steve Roehm. I'm a vibist out of Minneapolis, Minnesota.
I get to play solo vibraphone at the MSP International Airport every week.
So here's a rendition of "Gee Baby Ain't I Good to You" before everything shut down.
Hope you dig it.

Here are the informations to step 5 of our DIY bar production.
Please go to
http://wyndorps.de/E_index.htm
and follow Step 5.

In this post I am focussing on milling of the bar.

This is classic Lionel Hampton. It has all his tricks and signature moves. That is Ray Brown on bass and Buddy Rich on drums, so Lionel was right at home.

It's from the mid 1950's so it shows the influence that some of the more modern players like Milt Jackson were already starting to have on his playing. Mostly, his subdivisions are close to a triplet feel, but he does vary it and sometimes play straight eighths and other times, a dotted eighth/sixteenth feel.