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It's About Time

Here is an invaluable lesson. When you listen to someone play, vibes or any instrument, especially when they are playing solo. Listen once and then go back and snap your fingers. Listen to the time. Is it ok? Does it suck?

I record all the time at home and then go back listen and snap my fingers. Once in a while (ha ha, more than once in a while) I get done and snap and realize that that take SUCKS. Why? because my time sucks. We have to keep time, internal time.

So by keeping time with other recordings and video you are learning to keep internal time.

In the Night percussion piece with VIBRAPHONE

Hello all – it's been a long time since I've posted and I'm hoping to visit this website more frequently during 2018 as there's so many great musicians that take the time to criticize and encourage each other to become better artist/human beings!
Here is a piece that I recently published titled "In the Night" I was fortunate for the University of Southern Utah (under the direction of Dr. Lynn Vartan) to learn the piece and perform it! Lately, I have been getting into composition and utilizing the vibraphone in a contemporary setting!

It Could Happen to You - Vibraphone Masterclass - Playing Lines with Expression

Improvising on this classic with a focus on incorporating deadstrokes, ghost notes, accents, dynamics, varied sticking and dampening to enhance the line, phrasing and time feel. The vibraphone can be a difficult instrument in terms of playing it with expression and getting subtleties and nuance from it.

There is a good book called Develop Sight Reading which is great for reading as well as working on these musical elements since the pieces have a lot of phrase markings, dynamics and include many passages with varied articulation. Highly recommended.