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Milt Jackson - Night Mist Blues

Here's another classic from the same session in Palermo, Sicily as Poor Butterfly, which I posted a week or so ago, with Monty Alexander, Ray Brown and Grady Tate. Pay particular attention to the dynamic range within each phrase of Milt's playing both in the head and his solo. Not only is the articulation of each note clear and specific, but there is a flowing rhythm created by mixing dry and "wet" (pedaled) notes. Therein lies a lesson for all of us. Enjoy, and Happy New Year to all.

"Poor Butterfly" - Vibraphone Masterclass - LH Accompaniment

Vibraphone Masterclass – Left Hand Accompaniment on “Poor Butterfly: Here are some of my thoughts and techniques for left hand comping on this great song from 1916. Hard to believe this song was written that long ago. I’m more or less playing in a four to the bar feel ala pianists like Errol Garner, George Shearing, Art Tatum, Dave McKenna and Teddy Wilson. I really enjoy playing in this style and playing tunes like this.

In the Bleak Midwinter

This is my solo vibraphone arrangement of a beautiful Christmas Carol. The harmony is from the English composer Harold Darke's 1911 setting. It presents a few technical challenges with slide and double stop dampening. I am still working on it myself as I stay out of the bleak midwinter in Minnesota. Merry Christmas and Happy Holidays to you all!

Technique and Music - Ed Saindon

Ed posts a lot on vibes workshop. Maybe this is already there, but since i'm thinking about technique and music, I thought this was pretty amazing.

It kind of floors me to watch this. Just think about all the upkeep that has to go on in Ed's head! Dampen this, pedal, dampen with my hand, staccato here, play this chord, dampen this melody. I laugh sometimes watching Ed play. It's amazing and funny how Ed is controlling the instrument.