An idea for lines in the Dorian mode. Maybe useful?

Just playing around with all this. I still want to transcribe a Gyil solo.

This is a little difficult for me.

I know this was posted on the Virtual Vibraphone Day of Percussion, but I thought it might not have been available to all Vibeworkshoppers. I wanted to demonstrate playing "Scrapple" solo, comping the melody and playing a solo, concentrating on clear melodic lines and consistent time; a tremendous challenge to all who attempt solo vibraphone playing, especially playing a bebop tune and making it swing.

PRACTICING SOLO VIBRAPHONE - JOBIM'S CHEGA DE SAUDADE

Link to download the full text of this post: https://drive.google.com/file/d/0B0TwrpqjL6dQeV9vQUktV2xLRFE/edit?usp=s…

Link to download the accompanying music examples: https://drive.google.com/file/d/0B0TwrpqjL6dQeF9OTWNud2lhbjg/edit?usp=s…

Here's a very simple chord study.

1. Play the melody. Get the sound of the tune in the room.
2. Play the etude.

I added a bass part without vibes.

First time through is guide tones. Here the tune?
Second time through notice the guide tones are still there but I added notes.

Of course right the changes in.

The etude is attached.

I love many of Johnny Mandel's tunes. I think this one was written for the film The Sandpiper. The theme is so well known that all you have to do is state it once and then feel free to take liberties with the rest of the melody. Try to get as full and rich a sound as you can. Even though the tune has been over recorded, and probably falls into the pop music category, it can still be a satisfying vehicle for jazz players.