Here's an etude for our TOTM "Peace". It can be played with 2 or 4 mallets. Can anyone pinpoint the arranging technique I've used for this etude?
I find it very interesting write your own solos to investigate new concepts. In some classes with David Friedman has encouraged me to do it. I think it is very important to grow as a musician.
Check out this podcast interview with Gary Burton:
I discovered this piece, "A Time for Love" by Johnny Mandel, on the radio last night. I didn't catch the name of it but was able to get it by humming it into http://www.midomi.com/
It is such a beautiful tune. I bought a couple of versions to listen to and the "Jamey Aebersold Play-A-Long", which you hear here. There were probably a couple hundred versions on Amazon, including Bill Evans.
On thing that is really tough about this tune is getting the articulation of the melody. I was trying to get as smooth as possible.
Mint condition, easy to transport, great for pit work, orchestral, multi-percussion set ups, sound effects, etc. Super easy to breakdown and transport. Look it up to get the specifications-- non-graduated bars, thin width to bars, best for 2 mallets, ok for 4 mallet open position chords... I am in Sunset Park Brooklyn, you must pick up yourself, no shipping, price non-negotiable, comes with dust cover. Please call JC at 917-647-6563. Thanks!
Anybody know of a good piece for vibraphone and orchestra? I have to perform it on Sept. 8th with the Bruckner Orchestra.
Taken at the festival in General Roca, Argentina
When I was in college I was fortunate enough to befriend a number of great student musicians/composers. One of them was a fellow named Mitch Coodley. He wrote many great tunes that I think are as good or better than tunes by any famous composer. I've recently recorded one of Mitch's tunes called Piper's Samba. I think it is a super tune that has a great melody and is challenging to improvise on.
