Guys, check Dana out! Killlllling. I have watched this about 20 times since last night when I first discovered it. The tenors sound great, too.

Happy October. To get you in the mood for Halloween, I enclosed my arrangement of Vince Guaraldi's "Great Pumpkin Waltz". http://en.wikipedia.org/wiki/The_Great_Pumpkin

I think it is a good beginner 4-mallet tune to play, with descending bass. My arrangement uses double-stops in the left handle. I didn't write out the B section left hand (lazy); the Gmaj7 is G&B thirds; the Cm is C&Eb, but sometimes I use A&Eb.

I might have an opportunity to jam with an accordion and guitar in November, doing an Art Van Damme thing.

I am trying to collect some tunes that would be good to do. I think one would be Autumn in New York. Here is my practice session with BIAB.

If you have any suggestions of tunes to play, please let me know.

Thanks,
Barry

here is a run through of etude number 3, I'm just beginning to play vibraphone and would appreciate constructive criticism

Yo everyone,

This is a picture of my hands playing the vibraphone from my last gig at a local jazz festival!!!!

Not only did Drew answer my question, but he gave me a new way to think about it. I printed his response to carry around with me for a few days so I can to go over it and absorb it enough to see if I have any more questions. This is an example of why why this site is such a great resource!

Here's me playing David Friedman's Dampening Etude #5, I openly welcome all comments, criticisms and pointers.

Thanks,
Denzell

Hey guys, just wanted to let you know that i'm in search for a set of graduated bars to purchase, any brand, any condition, just as long as they're graduated and in tune (preferently 440, but 442 would work too).
anything you know of, please let me know at uvib(at)ymail.com (yes, Ymail... it's yahoo)

best,
Diego

... or from anyone who has an insight before I get lost. I've been practicing a "Key of the Week" (which has become a key every three weeks) and one of the things I have been doing is working through voicings of the chords within the key: I chord, ii chord, iii, chord...etc. Simple enough. I am also practicing jumping from the 1357 voicing to a closed voicing (7935). So here is what I'm noticing: when I voice the 1357 of the minor chord, the Abm7 in Gb, B and E for example, it voices the same way as a ii, iii, or vi. But when I voice it as a 7935 the added ninth can be different (????).