Part 2 of the Dm chord in Israel

Friedman 9

When we learn I think it's best to break things down into small chunks. Learn a piece move on, put a couple pieces together. That's the way I do it. So let's take this simple beginning of the tune and work on it. 

Do you know and can you see that this is basically a 12 bar blues? 

I was talking with Becky a few days ago and our conversation turned to practice technique.   I have talked about my 37 and 38 note practice routine, but never really documented it, so I thought this would be a good opportunity, just in case anyone was interested.

Part 2 coming later this week!

A music teacher friend has a Musser (probably M44) in her band that is making loud noises. Please see the attached video and let me know what the problem is and how to fix.

Thanks,

Barry

Come hang with us and talk about the tune Israel.

I'll be talking with Behn Gillece and Oliver Mayman

Work on the tune for the next couple weeks. Learn it and play it. Write down questions. 

Tony Miceli is inviting you to a scheduled Zoom meeting.

Topic: Good Vibes
Time: This is a recurring meeting Meet anytime

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In this video we apply the melodic structures into a basic Im-bVI-IIm7b5-V7alt minor cadence using the proper cell for each chord:

m7: 1-b3-4-5

Maj7: 1-2-3-5 

m7b5: 1-b3-4-b5

dom7: 1-b9-3-5 or 1-b9-3-#5 or 1-#9-3-#5

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In this video we apply the melodic structures into a basic I-Vim-IIm-V7 cadence using the proper cell for each chord: remember

1-2-3-5 in Major

1-b3-4-5 in minor

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Hi Vibes Lovers in this lesson I talk about a powerful tool that I got from Gerry Bergonzi called melodic structures. 

Those are motivic cell used for creating melodies: 

1-2-3-5 in Major

1-b3-4-5 in minor

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