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Working on sound possibilities with a line over C-7 F7 Bb Maj 7

Practicing today on sound possibilities in executing a line over C-7 F7 Bb Maj7. Focusing on variations with pedaling, dampening, deadstrokes, ghost notes, accents and stickings. The first example is fairly dry with no pedal. There are a lot of possibilities in executing a simple line like this. I'll sometimes take even a smaller phrase and work with it trying to get as many nuances and phrasing possibilities out of it. Note selection is important for sure, but sound is also very important and needs to be constantly looked at.

TOTM - Minority - The 9th Is the 13th (and we take it to the b9

Chinese translation for Chinese students.

今天我們要講的是minority

自己創造出ii-v-i 小樂句(lick),是一個裡面有V dominent 13音的lick,
定下速度打,你可以從中學到很多,你也會記住minor9音, dominent 13音的聲音
改節奏、加上一些音,轉調(放到每個調裡面練練)
Rootless13b9和弦(沒有根音的屬和絃,加上9音和13音)
例如F713b9: 組成音為A(3音), D(13音), Eb(7音), F#(b9音)

認真練習ii-V-I,讓你的耳朵熟悉這些聲音。