So.... I'm so busy keeping the site up, that I don't get to members comments quick enough. there is a cue of them. problem is a bunch of them are spam. So I have to look.

But this member posted this video. I think the vibes sound beautiful and he's playing an original more popish kind of tune. But I thought it sounded beautiful! So here it is... .and i'll get to member's posts and comments.

I like the clarity of it all. he def dampens to the melody NOT the chords. can you hear this?

Day 2: We've changed the top note of each chord to a G. No matter where the harmony goes, this is the note all the chords hover around. These are closed position chords.

So thanks to Dr. Stephan Clarmann von Clarence we have a serious list of vibe players.

I want to make a section of the site where i put names and then we can research them and hopefully have an exhaustive list of vibe players and information on them.

I would post the names and probably add an asterisk in their name. you guys would see the asterisk and then look for some stuff on the internet and in the comments build information on the players.

What do you think? Anyone interested in researching? Want to turn this info into a thesis? Ideas>

Can someone who was there put the list of players up?

This is our Philly mini bootcamp. It was great and we worked hard for 2 days! Mini bootcamps are fun because they are small and intimate!

I had a bass player over one day and we played a tune. here's the hour.

This week's objective is voicings for minor ii-Vs. In Day 1, we're dealing with closed voicings. Most of these contain the basic chord tones. Practice them and memorize them before moving to the next lesson.

Hi everyone,

Keep on the look out for a new 8 measure exercise each day starting tomorrow. I'm coming up with a different theme each week. To kick off the week, I'll be doing an 8 measure minor ii-V chord progression each day. It will start off simple then I'll gradually change the voicings and build. Hope you like this and work on it!

Behn

Chinese translation is for Chinese students
這個part2是複雜版的Part1
目的一樣只是要導入到第一個和弦。
第一個練習（第一小節到第八小節），其實沒有太大的差別，就是加了個A dim7
第二個練習（第九小節到第十六小節），你可以看到，全部是半音階下行。
只要記得開始的音要落在從降五音開始，一路下行。

Hi Guys this is the third lesson of a series called Comping 101 where I will cover a lot of the secret of this refined art.
This month I will cover some basic Ideas about comping.

Vibraphone solo by David Kovins

An awesome ballad by a great composer!!!

Chinese translation is for Chinese students
前奏（intro）
有很多不同的方式可以為一首曲子加一些前奏，
今天要講的叫做b5 intro。
因為開始的那個音是從曲子調性的主音算起來的降第五音。
一路下行，主要的目的是帶領到第一個和弦（PDF中是Fmajor）

通常我們如果用這個intro，會讓他是8小節intro，也就是像PDF中寫的。
當然在這些和聲配置（Voicing）中間，你可以插入其他不同的Voicing，
增添色彩。