Beautiful piece of music that I sketched out for vibes and a little personal interpretation.

Hi vibes lover in this lesson I'll talk about my idea of composing.
I will explain how I wrote the Aforisma n#2 from my new book called AFORISMI - 11 etudes for solo vibraphone

Here you can listen to it: https://www.youtube.com/watch?v=WzByRw276IQ
My new vibes solo book: "AFORISMI - 11 etudes for solo vibraphone", published by Musikkforlagene is available on:
http://www.giovanniperin.com/books/

Chinese translation for Chinese students

這邊教大家一個簡單的小練習。
幫助你了解整首曲子、也幫助你了解更多和聲。
每個和弦都演奏一小段音階（從根音開始），

像這樣：
Fminor7: F,G,Ab,Bb,C
C7altered: C,Db,Eb,E,G
依此類推，用這個方式演奏整首曲子

Those of you who know me know I love microphones and the different colors they generate. Years ago, I was looking for a great vibes mic and a good friend of mine who is an audio engineer recommended the Earthworks SR69. They were still a new company, so I bought two of them at a reasonable price and LOVED them for many years. Eventually one broke down and, when I went to replace it, I found out they were both not made any more and that the new model was VERY expensive.

I LOVED Victor Feldman! He was a pretty busy studio player back in the day but ventured out and recorded some GREAT vibe recordings. I went to his house for lessons a few times and it was a huge treat but like the other masters I studied with, I wish I was a better student. Victor was an amazing artist.

https://www.youtube.com/watch?v=fchnx2ESjIk

This is from wikipedia
https://en.wikipedia.org/wiki/John_Palmer_(musician)

John Michael "Poli" Palmer (born 26 May 1943 in Worcester) is an English rock musician who was a key member in the progressive rock band Family. Though he was not an original member, he was regarded as being integral to the group's sound. He played the vibraphone, flute, piano, synthesizers and occasional drums, and he was with the band from late 1969 until late 1972.

Vibraphonics: The PiperCussion Damper Pad aka, the gel pad

In mid to late 1980’s I was trying to learn to play solo vibraphone. It was so difficult and so frustrating! For one, I felt that my instrument (Musser M55 Pro Vibe) wasn’t working correctly and needed repairs. At that time, I didn’t know other vibraphonists who I could compare my instrument with so I just thought mine didn’t work. So I drove to the Ludwig/Musser factory in Chicago with my vibraphone to get the needed repairs. (I lived in Los Angeles at the time so it was quite a trip).

Back in the mid-1980's I started using pencil grips on my mallets. I was obsessed with finding and eliminating every little thing that contributed to extraneous noise on the vibraphone. As I became a little more known for my "Vibraphonics", I got an endorsement opportunity with Michael Balter to make the John Piper Mallet. I sent him pencil grips and told him the mallets have to include the orange ones (see photo) because for some unknown reason, the orange ones have a better feel and longer lasting quality.

The idea of the MBraces was created WAY back in the 80's when I first started working on my M55 vibraphone for improvements. I discovered (with the use of two cymbal stands) that by placing two braces from near middle of the pedal rail to the sides of the leg frames, the results were fantastic for stability. Very simple but they are the braces that were missing on all previous designs of the instrument! Many people had secondary braces added to their instruments but for some reason, no one was doing the obvious. In the L.A.