Hi Everyone,
Well, after months of fun work had by me, I have finally released my book "Free Verse and Photos in the Key of Jazz." In it there are 36 verses built entirely of jazz tune titles, a format that is completely original and my crazy idea. They vary from the shortest with four titles to the longest with 73, "My Little Brown Book." Each one centers around a theme. E.g., "Alexander's Ragtime Band" includes characters like "Mingus Fingus" and "Mack the Knife." Even the poem titles are song titles.

Is it too early for Christmas tunes?

I usually break out my Christmas book around this time of year, but somehow I never get around to really learning some of the better tunes. I thought I would change that this year and try learning a few, playing them in different keys, coming up with interesting changes, etc.

Here's my attempt on "Have Yourself a Merry Little Christmas".

This very simple tune by Gil Evans sounds great on vibes. Don't overplay on this one. Space is where it's at. See what kind of beautiful textures you can come up with. Be bold and creative! Use your pedaling and mallet dampening techniques.

After two years of behind the scenes work, we have finally upgraded the VibesWorkshop platform!

We will be continuing to correct minor problems over the next few weeks. If you spot something not quite right (missing content, broken links, etc...) Please let us know by placing comments on this node.

Be sure to read comments from others before posting issues -- they may have been found/fixed already!

Continued lecture/demo lesson on learning tunes.

Hi guys This month i'm going to give you my solo version of the unknown standard called "Everything I love".

For the first one who post his own solo version, playing the head as I wrote it down, he will have a FREE skype lesson with me!!
if you have any question please contact me via email: giovanniperin87@gmail.com

Please Follow me in Youtube and FB and visit my website www.giovanniperin.com!!

Have fun

Giovanni

Revisiting a beautiful song written by the great bassist Steve Swallow. I first learned this composition while studying with Gary as a student at Berklee in the 70s. Steve wrote so many great compositions and this is certainly one of them.

This semester I have been working with my teacher on playing ballads in the solo style and wanted to share a system/ exercise that I've been using to begin developing orchestration ideas when playing the melody. The following exercise is based on a concept I modified from John Mehegan’s “Jazz Improvisation 4: Contemporary Piano Styles” called “Root – Chord Patterns”.