Alternate ways to approach turnaround changes by Rusty Burge -V
A lesson on some different ways to approach iii-vi-ii-v changes using second inversion triads chromatically. I should mention that some of this type of motion (going up specifically) creates triads over the bass note which may conflict with the basic iii-vi-ii-v chord types. Remember the strength of the passing motion is its motivic direction which leads to a resolution.
Rusty