This 'taking care of business' analogy really works for me. You have to really break lines down and study them. Figure out how to get them to represent progressions.
I am looking for a good condition one-nighter with a working motor. Please let me know if you are selling one. I am based in Philadelphia.
here´s another shot of my last gig.
tarik
Here the N°10. More the nuances are respected, more the piece sounds musical,IMHO. Hope I got it.
Sorry for the noises behind, I've let my window opened while recording...
A few final thoughts on using diminished sounds in lines. There's a little bit of distortion in parts of it, but not the whole time! My apologies!
Behn
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The other day I came across this beautiful Mozart concerto... Simplicity I thought: that's for me! :o)
So I went to the vibes and tried, worked, recorded, redid, mainly by ear, then a bit checking out the score. But yes, the work was mainly : what do I hear among the orchestra and what do I feel like being able to transcribe and play on the vibes. As simple as the piece is, I still found it very hard, worked on my dampening (;-), on the harmony, etc.
So there it is, as usual very much imperfect but mine...
- M
Hello again!
Hello,
This is me performing in a sentimental mood from a live session. The sound and the video quality are not very good but I hope you enjoy it.
Thanks
Dimitris Angelakis
Hello,
I think as far as the comping that it's important to transcribe not only the voicings but the rythm as well. That is the reason I post this lesson in order to get inspired by the rythmic approach from great piano players like Wynton Kelly. I also recorded mine rythmic comping etude with an extra track of me playing solo over this comping. I hope you find this interesting.Pdf and tracks attached.
Thanks
Dimitris Angelakis
Hello guys,
I was messing around with various loops from the programm Reason and I thought I would post this on the sight. Don't judge me hard. I am not a electronic music producer :)! I hope you like it.
Thanks
Dimitris Angelakis