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Here's the complete Shapes and Patterns of Music book for Subscribers. Thank you for your support of the site!
(This is a piece I wrote and have named it after the great composer Vince Guaraldi. The lead sheet is here, as well as an etude where you can work on different aspects of solo playing.)
Here's part 2 of this lesson. Go to the lesson listed above for more info.
Try not to look at this pdf until you've done part one of this lesson. That was to take the lead sheet and try and figure out the chords to the tune.
When you're ready look here and if you got it.
In part 3 of this etude, I'll talk about the etude and play the tune for you.
Pivot Chords are a great way to work on key stuff. I got the idea from Bill Evans. I liked
the way he modulated different tunes and tried to make my own up. Here's how he
changes key at the end of Here's that Rainy Day.
(This is a piece I wrote and have named it after the great composer Vince Guaraldi. The lead sheet is here, as well as an etude where you can work on different aspects of solo playing.)
This will be a multi part lesson. The actually lessons are listed right above here.
Part 1 is the arrangement with no chord symbols. You try and figure them out.
Part 2 I'll add the chord symbols.
Part 3 I'll play the piece and solo on it for you to hear.
Part 4 I'll write out a single line solo for you play and study
(This is a piece I wrote and have named it after the great composer Vince Guaraldi. This is the etude where you can work on different aspects of solo playing. Also on the site is the lead sheet to the tune. Check out the link to the lesson plan above.)
Here's part one of this lesson. Here's the etude without the chords attached. Go through the piece and look at the music and figure out what the chords are.
Part 2 will have chords
I'll do a video and play the piece
Part 3 will be a single line solo over the chords
Here's a pdf and accompanying audio with some short 'etudes' on comping.
I have a ton of stuff stored up over the years from teaching online. These are some short examples of comping I made for somebody somewhere!
I have audio with and without the vibes. So you can work them up and play them alone.
Get the essence of them, and see if you can play them with no accompaniment but still here the band! In order to practice comping you need to be able to do that. Hear the music inside of you.
Blue Bossa is a great tune to make a study of. Here are some things to do from easy to difficult. You should work on some of these ideas and then post them online here.
1. Memorize whatever you do.
2. Learn the melody
3. Learn the chords
4. Play a chord tone solo
5. Do all the above in all keys
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1. Make an arrangement of the tune. NOT a strict arrangement just work out ways to play the melody and accompany yourself.
2. Do this in all keys.
Here's me playing Blue Bossa for jl12 here at the online school. I thought I would post it for everybody. I tried to play very simple, and i shot the camera from above to see if that would be helpful.
Here's my arrangement of Green Dolphin Street. It's an etude that explores three parts of playing the vibes, chordal playing, chordal playing and soloing and also single line soloing.