Alright...I need some motivation. Many times I have said to myself "Carolyn, you should transcribe more, it's great for your ear!" so I'll start working on something...AND NEVER FINISH IT.

I am continuing to build a repertoire for my upcoming accordion/guitar jam. I am working on Cute, one of my first up-tempo tunes.

In this arrangement, I decided to try chord melody. I threw in some of Behn's sequential ideas on a couple of the changes.

Suggestions are solicited, especially suggestions on arranging vibes along with two chordal instruments, like accordion and guitar. i.e., when they comp for me, should I just play lines, or can I also add accompaniment, like I did in this version?

Thanks,
Barry

Crazy and healthy Mozart-inspired funk by very good musicians....

My students love this book. In this video, one of my students plays the number 2 and I thought to post it here in order to hear the opinion of the person who wrote it (not just me) and ofcorse from other players. He is a very hard-working guy and also a great drummer. So, Mr Friedman...what do you think. He is going to work more on that etudes and hopefully make his own ones.
Thanks

Dimitris

Tonight at 6pm pacific time the debut gig of The Mackay Project will be live streamed over www.lostforestrecordings.com copy and paste it to your browser. Mostly originals by tmackay, along with some tunes by sting, elliot smith, and Monk.

its a pretty small wine cellar so ill be bring the one nighters out for this gig.

Anybody nearby, I'll be spending the day at Millersville University and performing at night.