Hello everyone,
This is part 1 lesson about building lines. The whole idea is that using limitations in your solo is a goos way to get free!!!
In this lesson I start my lines with root, the third, the fifth and the seventh of the chord. So, if one bar is cmin7 I start with the root the first note and then at the second bar I play the note d (since my chord is d half and at the same bar the note g when it comes to g7).

Hope you find this interesting
thanks

dimitris

Hello!!

I need some material about

history of vibraphone

evolution of instrument in jazz

I just looking for material to make my thesis.

I should be very grateful to you if you might help me

After a brief hiatus, I finally threw together a quick audio lesson for you guys.
Simple ideas about how I think of Minor 7 b5 chords, Minor 2,5's, etc.
Let me know if this makes sense or needs further clarification.
-Tyler

Here is a take from tonight's practice session. I am using the changes from the Real Book, with descending bass line. The intro is an idea take from John Piper's under water echo technique that he did in Dolphin Dance. Left hand comp contains 4ths and tri-tones. In the second chorus I tried doing a Freddy Green 4 strokes to the bar comping with LH.

Barry

This is my first assignment from Tony, let me know what you think!

A little break from the TOTM, but I started talking about this in the intros video for How Deep Is The Ocean.

I think this is an important subject that some of you may find helpful!

Point 2 is a newly formed, innovative duo by vibraphonist Christos Rafalides and bassist Petros Klampanis.
This concert is a sneak peek of their upcoming album, scheduled to be released in spring of 2013.
Grotto is a great place located in Lower Side (NYC), that hosts excellent music and serves delicious food and wine.

RESERVATIONS

Phone: 212 625 3444
Email: info@grotto-nyc.com
www.grotto-nyc.com

Because this composition contains so many ii-V's I thought it's a good idea to learn outlines.